6/23/2023 0 Comments Fender bandmaster 1963![]() ![]() Let’s study the blackface Bandmaster AB763 and blackface Bassman AA864. The Bandmaster Reverb head is therefore quite similar to the amps in the Pro Reverb and Vibrolux Reverb, just without the speakers. Not only is there more action in the preamp section, the silverface Bandmaster Reverb also has less attack and less clean headroom in the power amp section due to the tube rectifier. This is caused by the lack of gain stage in the reverb recovery circuit which contributes to tube distortion and compression in the preamp section when the amp is pushed. The reverb amps will start to break up around 4-5 on the volume knob while the non-reverb amps stay clean to approx 6-7. All these ab763 amps with reverb has the gain stage in the reverb recovery circuit which the non-reverb amps don’t have. Yes of course some have the mid knob and bright switch while others don’t. The main differences between these amps are transformer size, filter caps size and output/speaker impedance. The silverface Bandmaster Reverb is a typical ab763 amp and shares basic circuit design with the Super Reverb, Deluxe Reverb, Twin Reverb, Vibrolux Reverb, Pro Reverb and Twin Reverb. It reminds us more of a classic 80w Twin Reverb than a Bandmaster Reverb, and it shared its circuit design with the Pro Reverb and Super Reverb at that time. The 70W model from 1978 with master volume and push/pull boost had a huge power transformer and big filter caps. As usual the later silverface models were modified to become cleaner and more powerful. Due to this the silverface Bandmaster Reverb is less powerful, has less attack and breaks up earlier than the blackface Bandmaster. The silverface Bandmaster amps got a 5U4GB tube rectifier and the vibrato channel got reverb. The blackface head had a diode recifier, one normal channel and a vibrato channel with no reverb. The Bandmaster came with many different circuits during the blackface and silverface eras. ![]() V4 12ax7 = 1/2 Reverb recovery and 1/2 gain stage for vibrato channel. ![]() 1988 -1980 silverface Bandmaster Reverb Master volum 45w and 70wĪA763/AB763 Blackface Bandmaster (Seen from behind, V1 is to the right side):.1963 -1967 blackface Bandmaster circuits AB763.Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). ![]()
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